High Key Photography
I created this shoot by putting up a white background together with four studio lights around the subject, two of which where directed to the background and two where directed towards the model. The camera settings were set to a low ISO, faster shutter speed and a wide aperture in order to capture a clear image.
My first High Key shoot didn't go as well as i would've hoped however if i photoshopped then more to get rid of the shadows on the model and part of the background the shoot would've been more successful in my opinion.
I could lighten the corners of the images in photoshop as they appear to be a bit dark and slightly of colour. I could achieve this in the next shoot I do by using a slightly wider aperture and let more light into the image to get a sharper more crisp photograph.
When I use a high-key shoot next time I will use a wider aperture and will try to allow more light into the image, in addition to this i will also adjust the lighting that hits the model, by deflecting of moving the light closer, to try and create a crisp, bright High Key Photo.
I created this shoot by putting up a white background together with four studio lights around the subject, two of which where directed to the background and two where directed towards the model. The camera settings were set to a low ISO, faster shutter speed and a wide aperture in order to capture a clear image.
My first High Key shoot didn't go as well as i would've hoped however if i photoshopped then more to get rid of the shadows on the model and part of the background the shoot would've been more successful in my opinion.
I could lighten the corners of the images in photoshop as they appear to be a bit dark and slightly of colour. I could achieve this in the next shoot I do by using a slightly wider aperture and let more light into the image to get a sharper more crisp photograph.
When I use a high-key shoot next time I will use a wider aperture and will try to allow more light into the image, in addition to this i will also adjust the lighting that hits the model, by deflecting of moving the light closer, to try and create a crisp, bright High Key Photo.
